Delftware Factory Marks

Located on the grounds of the so-called ‘Katzenburg’ a small summer mansion surrounded by fish ponds near the palace they were supposed to discover the ‘arcanum’, the secret of porcelain production. After two years of unsuccessful investments by the prince elector, subventions were cut and von Stockhausen and Kaisin had to care for their own. That meant that from onwards, the owners had the typical financial problems just like any other small handicraft or trade, resulting in quite a few owners and leaseholders over the time until the year In Mauritz Wulf together with his 37 year old son-in-law Johann Mathias Rosenkranz took over the factory. Rosenkranz knew the facility well as he had joined in and since been trained as faience and earthenware decorator. During the time of Rosenkranz and Wulf the factory went through first expansions. During February , the upper Poppelsdorf mill was bought and the production facility received an additional large kiln, a medium kiln for different uses in between processing steps and a large wheel-throwing room. During the lower Poppelsdorf mill was also purchased. As expansion also needed a greater workforce, the number of workers also slowly increased. By the factory already had about 70 workers, further increasing to about 80 in

Delft Pottery Marks

While not every object from this period is marked, it is possible to gain an understanding of the technical and artistic achievements of specific factories based on the marked wares from the late seventeenth and early eighteenth centuries. In , Ary de Milde developed a dense, mat reddish-brown body that was ideal for teapots. Following this example, the State called on all the potteries in the Province of Holland to register their own marks in the event that they wanted to make teapots of this kind.

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How to identify delft pottery Elizabeth Punke Updated November 21, Delft pottery was first produced in the 17th century when citizens of the Dutch town of the same name began to hand-paint classic pottery. Over the years, the distinctive blue-and-white Delftware grew in popularity, increasing the amount of antique vases, plates and figurines that may be found across the globe.

After years of production, the Delft company continues to produce hand-painted pieces. Flip your piece of pottery over to reveal the underside. All Delft pieces are marked with an emblem on the bottom. Examine the surface for the blue marking. In older pieces, this marking may be partialy rubbed off.

How to Identify Antique Dutch Tiles

This has been a complicated process. For years, we struggled to help people with it. We needed two things to really do a good job of identifying and valuing delftware:

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This piece looks Persian—and it is. This piece was clearly made in the 20th century. The bumpy feel on the base of this porcelain vase is called “orange peel” and is indicative of late 18th-century Chinese export porcelain. The blue on this glaze indicates it was made in Japan. We’ve all seen white and blue porcelain before—maybe while strolling around a Chinatown chatchka shop, a first-rate art museum, in Macy’s decorative wares department, or even at a neighborhood yard sale.

Called under-glazed blue-and-white porcelain, it has been made for a thousand years in China and for hundreds of years in other parts of the world, including Holland, England and the Middle East.

Identifying British Pottery Marks and Hallmarks

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It is not an outward form wrapped around the object that matters to us, but form in the sense of inbuilt capacity and potential vehicle of significance.

Hand painted marks may be “over or under the glaze”, a magnifying glass will help you to determine if the marks are “over” or “under”. You will also find ceramics marks that are incised or impressed into the clay body prior to firing.

Its immediate adoption upon its introduction to Spain and Italy, and thence to France, the Netherlands and England, is understandable when one considers that it made possible the use of painted decoration of an intricacy and variety of color which could not be achieved by the earlier slip, lead-glaze, and relief methods. According to the most recent studies, tin-enameled wares were first made in England by two Antwerp potters, Jaspar Andries and Jacob Janson, about the year The exact site of their pottery in London is unknown, and it was not until about , almost a century later, that the industry was carried to the Lambeth section of the city.

Thus it is more accurate to attribute the earlier wares to London rather than, as formerly, to Lambeth. Among this group is a rare pair of fluted rosewater dishes, dated , and a little “White wine” bottle bearing the same date. The form of the dishes follows that of contemporary silver. They are very simply decorated in blue with the coat-of-arms of the Grocers’ Company and the initials of the owner, W over EC, which have been attributed to Edward Woodyard, a Norwich grocer, on the basis of their similarity to a wine bottle supposedly made for him and now in the Norwich Museum.

The graceful little wine bottles are familiar to all pottery lovers and are admired for their simplicity and beauty of form and restraint of decoration. They are considered among the earliest purely and typically English ceramic forms, although their original use is a matter of constant controversy. Among the foremost patrons of the early London and Lambeth delftware potters were the apothecaries who required great numbers of special vessels to contain the various powders, pills, ointments, confections, and syrups in use up until relatively modern times.

Some spouted drug jars contained Syrup of Chicory with Rhubarb. These everyday products of the potter are superb examples of the throwing technique – foot, body, and spout all being made on the potter’s wheel. The decoration is similar to contemporary Dutch examples and only the fact that so many of these jars were found in excavations of London streets and are clearly from a period when importation was illegal authenticates their English origin.

In the Temple Pottery, an offshoot of Brislington, was founded in nearby Bristol, the city which became one of the leading delftware centers of the eighteenth century.

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Hi! My name is XXXXX XXXXX I would be happy to help with your Delft tiles. These do indeed have a value but I will need to see them and the marks on the backs to be able to tell exactly what you have. Could you very kindly attach the extra photos, Here’s by far the simplest way to attach pictures.

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The Antiques connecting our past with our daily life in the most beautiful way. Stay in touch with your roots, with your tradition and meet another cultures and learn more about them. Sunday, November 20, The short guide how to date antique Minton pottery Thomas Minton founded his factory in around in Stoke-upon-Trent.

Old or new, the traditional blue-and-white pottery can be an excellent value—and fun to hunt down.

From about delft wares started to be totally covered by a tin glaze and by the second half of the century the character of the decoration became more distinctly Dutch. Although, as in the case of most European ceramics of the 17th and 18th centuries there was still a strong Chinese influence in the majority of pieces. It interesting to note that the early English delft pieces often made use of the economic lead glaze but were not referred to as English maiolica.

In the case of both the early Dutch and English delft dishes the firing took place with the dishes resting up side down on stilts, these marks can be quite easily detected. The distinction of between delft and maiolica is I believe rather useless. It is worth noting that kilns of a new design were introduced into the Netherlands in the middle of the 18th century. These kilns did away with a lot of the kiln faults and also enabled coal to be used instead of wood.

Nearly all the delft from about onwards has a fairly even glaze. The high points of Dutch delft ware belong to a period stretching from the late 16th century all the way up to the very early 18th century. The painting on these early wares had a great boldness and strength. From about the last quarter of the 17th century the painting could be fine and detailed, but after about , delft ware began to lose some of its personality.

How to Identify Delft Pottery

History[ edit ] The earliest tin-glazed pottery in the Netherlands was made in Antwerp where the Italian potter Guido da Savino settled in , [2] and in the 16th century Italian maiolica was the main influence on decorative styles. Production developed in Middelburg and Haarlem in the s and in Amsterdam in the s. From about Delft potters began using personal monograms and distinctive factory marks.

The Guild of St Luke , to which painters in all media had to belong, admitted ten master potters in the thirty years between and , and twenty in the nine years to In a gunpowder explosion in Delft destroyed many breweries and as the brewing industry was in decline, they became available to pottery makers looking for larger premises; some retained the old brewery names, e.

Petrus Regout Delft porcelain factory in Maastricht, Holland. The mark dates it to the late ‘s/early ‘s (see Discovering Dutch Delftware by Stephen J. Van Hook, p 99). This plate is in excellent antique condition-there are absolutely no chips, cracks or other damage.

More Furniture Styles Whether you collect porcelain or pottery, here are some tips to get you started. When looking at ceramics, the first thing to do is determine if the item is pottery or porcelain. The easiest way to tell pottery from porcelain is to hold the object up to a strong light source i. There are two basic types of porcelain, soft-paste and hard-paste.

Soft paste porcelain is oftentimes somewhat “malformed” or misshapen and with the paste having imperfections i. The body will be grayish or off-white in color when compared to white hardpaste porcelain. Most ceramic items but not all have a maker’s mark, so always check for a maker’s mark. These marks are usually located on the bottom there are exceptions to this rule: When only numbers are found, they usually represent a pattern or shape number, but can also represent the artist who decorated the piece many ceramic artist were paid by the piece and thus had to identify each piece they painted in order to get paid.

Delft Pottery Marks And History And Information

History[ edit ] The painter and printmaker Jan van de Velde IV invented the aquatint technique in Amsterdam , around An aquatint requires a metal plate, an acid , and something to resist the acid. Traditionally copper or zinc plates were used. The artist applies a ground that will resist acid. Ground is applied by either dissolving powdered resin in spirits, applying the powder directly to the surface of the plate, or by using a liquid acrylic resist.

Antique Dutch delft pottery has a fascination all of its own. The first antique dutch delft pottery in the Netherlands was started by Guido da Savino, in in Antwerp.

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